- Startseite
- Modellieren
- Formenbau & Gießen
- Silikon-Polykondensation
- Silikon-Polyaddition
- Body-Double 'Hautsichere' Silikone
- Dragon Skin™ Serie
- Ecoflex™ Serie
- Equinox™ Serie
- Platsil Gel & Deadener
- Mold Star™ Serie
- Rebound ™ Serie
- Smooth-Sil™ Serie
- Sorta Clear Serie - 'Wasserklare' Silikone
- Rubber Glass
- Soma Foama ™ - Silikonweichschaum
- Psycho Paint ™ Silikonfarbe Basis
- Encapso™ K
- Solaris ™
- EZ-Brush™ Vac Bag Silicone
- EZ-Spray Platinum Silicones
- POLYURETHAN KAUTSCHUCK
- Alginat
- POLYURETHAN HARZ
- POLYURETHAN SCHAUM
- Epoxidharz
- Latex & Schaumlatex
- Polyester
- Gips & Zement
- AcrylCast
- Prince August
- Jesmonite Acryl Systeme
- Buddy Rhodes Beton Systeme
- Additive
- Versiegler & Trennmittel
- Pigments
- Farbe
- Füllmittel und Veredelung
- Lösungsmittel & Verdünner
- Klebstoffe
- Werkzeuge
- Ausrüstung
- Grime & Maske
- Rubber Mask Grease Paint
- Skin Illustrator Paletten
- Skin Illustrator Liquid
- Skin Illustrator Singles
- Skin Illustrator Glazing Gel (Glacierungs Gel)
- Skin Illustrator Glazing Spray (Glacierungs Spray)
- Skin Illustrator Concentrates
- Skin Illustrator Mouth FX
- BlueBird FX / Allied FX
- RipperFX Palettes
- Stacolor Paletten
- PAX Paints Thomas Suprenant
- MaqPro Farde Palettes
- Tattoo Sheets
- MaqPro Make-Up Mixer
- MaqPro Creamy
- MaqPro Bruise Gel
- Grime Pinsel
- Old Age Stipple
- Stamps & Molds
- Sponges and Applicators
- Head Armatures
- FormX Tools
- Kryolan Make-Up
- Spezial Effekte
- Prosthetische Materialien
- Marken
- FormX Academy
- Anwendungen
- Literatur
ölbasierter Ton
Ölbasierte Tone werden aus verschiedenen Kombinationen von Ölen, Wachsen und Tonmineralien hergestellt. Da die Öle nicht wie Wasser verdampfen, bleiben ölhaltige Tone auch bei längerer Trockenheit formbar. Gegenstände aus ölhaltigen Tonen können nicht gebrannt werden.
Ölhaltige Tone eignen sich auch für die Herstellung von detaillierten Skulpturen, von denen Gussformen hergestellt werden können. Abgüsse und Reproduktionen können dann aus wesentlich haltbareren Materialien hergestellt werden. Designs von Autos und Flugzeuge können mit Modelliermasse in Massstab 1:1 in Industriequalität hergestellt werden.
ölbasierter Ton
Castilene Produkte
Y2K Clay
NSP-Soft
NSP-Medium
NSP-Hard
Clayette
Le Beau Touche
Monsterclay
J.Herbin Plastiline
Plaxtin
Reproducing the model
The finished clay model will have some sort of reproduction mold (rubber, plaster, fiberglass) taken from the clay's surface. Once the mold is made, a permanent material can be cast out of the mold or the lost wax process can begin to create a bronze. Completed projects that begin as clay models can range from Heroic size bronzes to full size automotive designs, from graphic props to moving monsters and from jewelry design to children's toys.
Choosing
Various clay projects may require specific characteristics that are often difficult to define. Client's requirements will occasionally vary from project to project but most importantly a clay body will usually be chosen based on the personal preference of the worker. Questions or alternative characteristics that all sculptors will consider when selecting a clay body may include:
- Simply, what feels right
- what works in a certain climate
- what is best for making molds
- what sticks best to an armature material
- what clay doesn't smell
- what holds technical detail
- what works best for a loose style
- is the clay hard or soft enough?
Le Beau Touché and Le Beau Touché HM: can be heated to a semi molten state, to brush or trowel, at
approximately 185-210 oF, however it will not reach a viscosity suitable to pour.
NSP: can be brushed at 180 oF and poured at 185 oF. When cooled, the clay tends to feel harder than the original
but can be kneaded back to a firmness and consistency similar to the original clay. Repeated cycle of melting and
cooling will eventually cause irreversible hardening.
Y2 Klay: can be brushed at 180 oF. Flow improves with higher temperature and can be poured at around 195-210
oF; the higher the temperature, the better the flow. However, after the clay cools, the hardness is proportional to
the melt temperature. The increase in hardness is irreversible.